Sunday, April 26, 2015

‘Rush': Quite a ride!


The calm before the storm: No love is lost between rival racers James Hunt (Chris Hemsworth, foreground left) and Niki Lauda (Daniel Brühl), each determined to out-drive the other en route to a Formula 1 World Championship. But that isn't the whole story by any means: Their saga is the stuff of sports legend. Courtesy photo

From page A9 | September 27, 2013 |


Four stars

Starring: Chris Hemsworth, Daniel Brühl, Olivia Wilder, Alexandra Maria Lara, Pierfrancesco Favino, Christian McKay, Julian Rhind-Tutt

Rating: R, for profanity, nudity, sexual content, brief drug use and disturbing images

Famed racetrack rivalry depicted in well-scripted drama

By Derrick Bang
Enterprise film critic

Friends tell you what you want to hear. Enemies tell you what you need to know.

Director Ron Howard’s “Rush” isn’t merely the fact-based account of an intriguing sports rivalry; it’s also the most exciting auto racing movie to roar into theaters since 1971’s “Le Mans” … which, given Steve McQueen’s passion for authenticity and the superb efforts of cinematographers René Guissart Jr. and Robert B. Hauser — not to mention a team of five (!) editors — is high praise indeed.

No matter. Howard’s collaborators — cinematographer Anthony Dod Mantle and editors Daniel P. Hanley and Mike Hill — are up for the challenge. They’re also given a sensational assist by sound designers Danny Hambrook and Markus Stemler, whose ear-splitting attention to detail delivers everything except the pungent, eye-watering stench of high-octane fuel. Which you’ll probably imagine anyway.

But while the visceral exhilaration is palpable, it’s mere backdrop; this film gets its emotional heft from the fascinating narrative crafted by British scripter Peter Morgan, whose well-deserved Academy Award nominations for “Frost/Nixon” and “The Queen” — not to mention his work on “The Last King of Scotland,” “The Damned United” and quite a few others — demonstrate considerable skill when it comes to sketching characters through well-composed dialogue.

James Simon Wallis Hunt (played by Chris Hemsworth), British to the core, and Austrian Niki Lauda (Daniel Brühl) meet — and immediately clash — as ambitious Formula 3 drivers. They couldn’t be more different: Hunt is a womanizing, hedonistic toff who wears flamboyant aristocratic superiority like a cloak, while Lauda is solemn, remote and blunt to the point of insolence. Hunt is the pluperfect London playboy, Lauda the Teutonic precision; neither apologizes for his behavior, or would think of doing so.

But they both take racing seriously, albeit from different sensibilities. Hunt is as bold and reckless on the track as in real life, embracing the challenge for its romantic, death-defying aura; Lauda, meticulous to a fault, calculates odds and works them to his favor. Hunt relies on the largess of sponsors he can impress; Lauda drives mechanics crazy by ordering design changes … which inevitably prove advantageous.

As a result, Morgan’s script focuses on the attitude of racing, as much as the sport itself. At a time when drivers were expected to die every season — as Brühl’s Lauda informs us, in his dryly ironic, off-camera narration — professional racers truly were a breed apart.

Casting director Nina Gold did a sensational job, as both Hemsworth and Brühl look, sound and move very much like the real Hunt and Lauda. The physical similarities are truly striking, but of course it’s deeper than that.

Anybody who thus far has dismissed Hemsworth as little more than a pretty face, based on bombastic fluff such as “Snow White and the Huntsman” and his ongoing role as the Asgardian Thor, needs to reassess; Hemsworth nails the blithe insolence of, say, Peter O’Toole in his prime. This portrayal of Hunt is charismatic to the point of bewitchery; we can’t help admiring the man despite his obvious superficiality.

The Spanish-born Brühl is unlikely to be recognized on these shores, aside from his supporting performance in 2007’s “Inglourious Basterds,” but I suspect that’s about to change. His Lauda displays his ferret-faced features proudly, even defiantly, no doubt operating from the belief that one cannot be teased or humiliated by others, if you pre-emptively remove their ammunition. Lauda is chill psychology and intellectual arrogance, an attitude that Brühl conveys perfectly.

As a result, although Lauda is equally hard to like, he emerges here as the underdog … even though, as the two men graduate to Formula 1 racing and engage in the very public antagonism that fueled press coverage during the early 1970s, he certainly doesn’t need the sympathy. When Lauda blasts past Hunt in order to win the 1975 World Championship, it seems a triumph of intellect over emotion. But of course Hunt, finishing fourth, isn’t about to slink off quietly. There’s always another season.

The rich fascination of Morgan’s script, and the marvelous subtlety of Hemsworth and Brühl’s performances, are best defined by our dawning realization that — somewhere along the line, almost without our awareness — enmity blossoms into respect. As the 1976 season begins, the two men still don’t like each other, but their mutual regard has shifted. Glances toward each other become more reflective, less hostile; clipped conversations are less contemptuous, more … well … collaborative.

Racing fans well remember what happened during that tempestuous 1976 season, and I’ll not spoil the suspense here, for the benefit of viewers lucky enough to come to this story cold. But that’ll be a difficult feat, since Lauda has been highly visible for the past month, and likely will remain so between now and Oscar season. Hunt, sadly if perhaps predictably, died from a heart attack in 1993, at the age of 45.

The supporting performances are equally strong. Olivia Wilde, whose smoldering, come-hither sensuality literally drips off the screen, is well cast as free-spirited professional model Suzy Miller, whose jaw-dropping 1974 marriage to Hunt made headlines around the world. We’re certainly not surprised when this relationship doesn’t last, although Miller’s subsequent husband will raise your eyebrows.

Despite this, Wilde shades Miller generously, suggesting that she feels deep affection for Hunt, his glaring flaws notwithstanding.

Romanian-born Alexandra Maria Lara is even more engaging as Marlene, the woman who catches Lauda’s eye during a meet-cute sequence that Howard stages for maximum amusement. If it truly happened this way, you couldn’t imagine a better first encounter; either way, it’s a great movie moment.

Lara gets considerable screen time, and Marlene’s presence clearly changes Lauda. Their most powerful conversation also is the calmest, as Lauda reflectively confesses that happiness may have crippled him; henceforth, every time he squeezes into a race car, he’ll know that he has something to lose. The expression on Lara’s face, at this moment, is heartbreaking; we understand that Marlene suddenly wonders if loving her new husband is such a good thing after all.

Cinematographer Dod Mantle won an Oscar for “Slumdog Millionaire,” and his camerawork here is sensational. Quite inventive, as well, with cameras fastened to racers’ helmets, in order to place us, quite literally, in the drivers’ seats. Mantle also cross-cuts between dozens of camera set-ups, in order to convey the raw intensity of the racetrack footage; Howard, in turn, blends these many images for maximum excitement.

“Rush” is a solid sports drama about two genuinely fascinating road warriors. Monday evening’s preview screening drew applause as the closing credits appeared, and I’m not the slightest bit surprised.

Read more of Derrick Bang’s film criticism at Comment on this review at





Davis team wins world robotics championship

By Anne Ternus-Bellamy | From Page: A1 | Gallery

Nepal quake death toll exceeds 1,800

By The Associated Press | From Page: A2 | Gallery

Spring storm delivers late rain, snow to Northern California

By The Associated Press | From Page: A2

At the Pond: Plenty of pleasures in our bioregion

By Jean Jackman | From Page: A3 | Gallery

Rail-safety bill passes Senate committee

By Special to The Enterprise | From Page: A4

Free Family Bike Clinic set Sunday

By Enterprise staff | From Page: A4

Pioneering organic chef presents her memoir Monday

By Special to The Enterprise | From Page: A4

Suspect in UCD assault arrested

By Lauren Keene | From Page: A4

Dog park marks anniversary with cleanup

By Special to The Enterprise | From Page: A4

Watch them in action

By Julia Ann Easley | From Page: A5

Stocks rise on tech earnings; Nasdaq adds to record

By The Associated Press | From Page: A8

Dodd speaks as part of public policy series

By Special to The Enterprise | From Page: A9

We did it (together)!

By Enterprise staff | From Page: A10

$2.72 million judgment ordered against Dollar Tree Stores

By Special to The Enterprise | From Page: A10

UCD hosts bike auction Saturday, May 2

By Enterprise staff | From Page: A11 | Gallery

Fly Fishers to hear about advanced streamer tactics on Tuesday

By Special to The Enterprise | From Page: A11 | Gallery

Bicycle activist will speak Monday at Hall of Fame

By Enterprise staff | From Page: A11 | Gallery



Those texts still linger

By Creators Syndicate | From Page: B6

New ways of giving locally and beyond

By Marion Franck | From Page: B6

Study questions accuracy of tumor gene mapping

By The Associated Press | From Page: B6

Tom Meyer cartoon

By Debbie Davis | From Page: A12

Poker proceeds help youths

By Letters to the Editor | From Page: A12

Invest in water of the future

By Letters to the Editor | From Page: A12

Water, water everywhere?

By Letters to the Editor | From Page: A12

Mayor’s Corner: A spirit of renewal permeates Davis

By Special to The Enterprise | From Page: A12

More work to do for a safe Picnic Day

By Our View | From Page: A12

Anaheim, where The Force is with you

By Sebastian Onate | From Page: A13 | Gallery



Davis gets two baseball wins in two days

By Spencer Ault | From Page: B1

Grizzlies dominate young Blue Devils on Senior Night

By Thomas Oide | From Page: B1 | Gallery

Energy, fan-friendly happenings highlight UCD spring football game

By Bruce Gallaudet | From Page: B1 | Gallery

Blue Devil golfers capture CAL Invitational title

By Enterprise staff | From Page: B1

UCD roundup: Aggies reach water polo semifinals

By Enterprise staff | From Page: B2

Blue Devil swimmers are up to the challenge

By Enterprise staff | From Page: B2 | Gallery

Babich brings the heat as DHS girls stick it to Oak Ridge

By Enterprise staff | From Page: B12 | Gallery

DHS softball struggles continue against Sheldon

By Enterprise staff | From Page: B12 | Gallery





History comes alive in ‘The Sacramento Picture’

By Derrick Bang | From Page: A1 | Gallery



Yolo County real estate sales

By Zoe Juanitas | From Page: A7

Big Italian food, sports bar to fill Little Prague

By Wendy Weitzel | From Page: A7 | Gallery

Davis Roots hires new general manager

By Special to The Enterprise | From Page: A8

Comcast announces speed upgrade

By Special to The Enterprise | From Page: A8



Whitney Joy Engler

By Special to The Enterprise | From Page: A6

Valente Forrest Dolcini

By Special to The Enterprise | From Page: A6



Comics: Sunday, April 26, 2015

By Creator | From Page: B8