Thursday, April 24, 2014
YOLO COUNTY NEWS
99 CENTS

‘The Incredible Burt Wonderstone’: Hey, presto!

Having discovered that his childhood idol is living in a retirement home, Burt Wonderstone (Steve Carell, left) is delighted when Rance Holloway (Alan Arkin) eventually consents to do a few tricks for the other residents. Courtesy photo

By
From page A9 | March 15, 2013 | Leave Comment

“The Incredible Burt Wonderstone”

3.5 stars

Starring: Steve Carell, Steve Buscemi, Jim Carrey, Olivia Wilde, Alan Arkin, James Gandolfini, Jay Mohr, Mason Cook, Luke Vanek

Rating: PG-13, for profanity, sexual candor, fleeting drug content and dangerous stunts

Comic talents unite for an amusing poke at showcase magicians

By Derrick Bang
Enterprise film critic

Las Vegas magic acts — with their glitzy, overwrought buffoonery — are ripe for parody, and director Don Scardino attacks this subculture with verve, in “The Incredible Burt Wonderstone.”

Armed with a witty script that hits most of the right notes, Scardino demonstrates his own gift for prestidigitation, by shaping a gaggle of scene-stealing camera hogs into a well-balanced ensemble comedy troupe. That’s no small thing, when dealing with the likes of Steve Carell, Steve Buscemi and Jim Carrey, any one of whom could ruin a project by being too uninhibited … and all have done so, in the past (in Carrey’s case, rather frequently).

Not this time. Scardino keeps his stars on point while also drawing deft supporting performances from Alan Arkin, James Gandolfini and Olivia Wilde. The latter, in particular, demonstrates an unexpected talent for comic timing that was nowhere to be seen in her token hottie roles in “Tron: Legacy” and “Cowboys & Aliens.” Given her work here, Wilde actually may have an acting career in her future.

The biggest miracle, though, is that this film’s script manages to stay reasonably well focused — and dead-on perceptive, as it skewers Vegas’ wretched excess — despite being a committee affair from four writers: Jonathan M. Goldstein, John Francis Daley, Chad Kultgen and Tyler Mitchell.

Gentlemen, my black top hat’s off to you.

The story opens with a brief prologue in the early 1980s, as latchkey kid Burt (Mason Cook) celebrates a birthday by himself, forced by his working mother’s absence to bake his own cake (a droll and endearing touch that hints of great things to come). His one present: a celebrity magic set that will evoke strong memories from viewers who remember being a kid back in that era, when Marshall Brodien — as Wizzo the Wizard —hawked his “TV Magic Kit” of “mystifying tricks” on syndicated stations.

In this case, young Burt is awestruck by the kit’s videotape, wherein tuxedo-garbed Rance Holloway (Arkin) promises that magic can change one’s life. Burt, enchanted, starts pulling scarves out of thin air; his school time antics attract the attention of the similarly geeky — and bullied — Anton (Luke Vanek). The two become fast friends, energized by a desire to invent newer, fresher and ever more amazing tricks.

Flash-forward a couple of decades, as Burt Wonderstone (Carell) and Anton Marvelton (Buscemi) have become hot newcomers on the Vegas stage magic scene. Their enthusiasm and crowd-pleasing skills draw the attention of Bally’s mogul Doug Munny (Gandolfini), who grants them a headlining showroom.

Another 10-year leap to the present day, and things have turned sour. Oh, sure, Burt and Anton still pack the house, but the opulent illusions have become rote — repeated day after day, week after week, year after year — and the staunch friendship has frayed.

Actually, it has torn to shreds, thanks to Burt’s insufferably egotistical behavior. Having decided that he’s the entire act — not to mention God’s gift to women — Burt has become a grotesque parody of himself. Magic no longer matters, nor does the “sense of wonder” that sparked his own youthful enthusiasm, so many years ago.

All this is observed with great sadness by Jane (Wilde), a backstage assistant dragged before the crowd one evening, to replace yet another nubile blonde unwilling to tolerate Burt’s behavior any longer. Jane also loves magic — the proper way, hence her presence on the staff — but Burt couldn’t care less. To him, she’s just another potential score.

Crisis erupts with the flamboyant, camera-hogging arrival of Steve Gray (Carrey), an arrogant, weirdly theatrical “guerilla magician” very much in the mold of David Blaine and Criss Angel. Gray’s gory, stunt-laden shtick is more ghastly circus sideshow than genuine magic, but he definitely knows how to win and control a crowd. And that, to Munny, spells money.

Wonderstone isn’t capable of modifying his moldy act; more to the point, he rejects the need to do so. A freak such as Steve Gray couldn’t possibly be the next best thing.

When the dust settles, Wonderstone is alone, unemployed and living in a shabby hotel room. And wondering how it all went wrong.

Scardino capably navigates this delectable premise while savagely skewering its many deserving targets. Costume designer Dayna Pink outfits Wonderstone in the hilariously tacky, chest-baring garb with which we’ve long associated Siegfried & Roy; Burt and Anton’s deliberately corny, story-driven act mostly wastes time while occasionally pausing for the sort of big-big-big illusions beloved by Lance Burton and David Copperfield. (The latter briefly appears in a droll cameo.)

The elevator to Burt’s penthouse home is large enough to be the suite itself, and when Munny embraces his own grand plan to open a new casino, he naturally names it after himself, grinning broadly from a multi-story video screen that beckons passersby to enter.

Gray’s self-abusing, over-the-top stunts are funny because — as Criss Angel’s fans know — they’re not all that exaggerated; Carrey, in turn, nails the lofty attitude and weirdly egotistical patter of such an individual. Indeed, this is by far the best performance Carrey has given in years, and it’s nice to see him back to form.

His penetrating, ferociously manic gaze never has been put to better use.

But the ripe satire, so well set up and delivered, wouldn’t have nearly the bite without the genuine heart that rides alongside. Buscemi’s Anton is a gentle guy who has put up with a lot over the years, and can’t understand how his longtime “best friend” could treat him so badly. Carrey’s Gray, at the other end of the spectrum, is a nasty piece of work: a smug, vicious opportunist who smells blood in the water, and wants to humiliate Wonderstone even more than he wants his own headlining career.

Carell swans his way through Wonderstone’s puffed-up behavior, somehow believing that every emotional failing — every thoughtless, self-centered act or gesture — somehow is a virtue. Wonderstone is the one character who might be too broad at times, notably when he and Marvelton attempt their own street stunt, but Scardino mostly remains on the right side of that razor’s edge separating astute humor from merely stupid slapstick.

More to the point, Carell has the range to switch from broad overstatement to softer pathos; we’ve seen the latter in “Crazy, Stupid, Love” and “Dan in Real Life.” Carell makes us believe that Wonderstone is worth saving.

Arkin further spices the brew, when a much older Rance Holloway pops up in the third act, as a resident in a retirement home for Vegas performers. This is roughly when the story shifts tone, blossoming into an underdog redemption saga with clearly defined heroes and villains.

Holloway’s insistence on the “purity” of magic, particularly close-up magic, obviously requires a certain amount of same in this film. Many (most?) of the illusions are assisted by camera trickery and CGI sweetening, but we are blessed with a few moments of coin/card manipulation and authentic sleight-of-hand. I particularly enjoyed the golf ball routine that Holloway and Wonderstone share with the retirement home residents.

With so many disparate elements, all sorts of things could have gone wrong en route to the finished film … but Scardino pulls it off, with a warm, funny and genuinely entertaining result. And that, too, is quite a trick.

— Read more of Derrick Bang’s film criticism at http://derrickbang.blogspot.com. Comment on this review at www.davisenterprise.com

LEAVE A COMMENT

Discussion | No comments

The Davis Enterprise does not necessarily condone the comments here, nor does it review every post. Read our full policy

.

News

4-H members get ready for Spring Show

By Anne Ternus-Bellamy | From Page: A1 | Gallery

 
Will city move forward on public power review?

By Dave Ryan | From Page: A1

 
 
2 pursuits, 2 arrests keep Woodland officers busy

By Lauren Keene | From Page: A2

 
Obama to Russia: More sanctions are ‘teed up’

By The Associated Press | From Page: A2, 3 Comments

 
 
Youth sports in focus on radio program

By Enterprise staff | From Page: A4

 
Rummage sale will benefit preschool

By Enterprise staff | From Page: A4

Concert benefits South Korea exchange

By Enterprise staff | From Page: A4

 
Conference puts focus on Arab studies

By Enterprise staff | From Page: A4

Central Park Gardens to host Volunteer Orientation Day

By Enterprise staff | From Page: A5 | Gallery

 
Volkssporting Club plans North Davis walks

By Enterprise staff | From Page: A5

Hotel/conference center info meeting set

By Enterprise staff | From Page: A5

 
Davis honors ‘green’ citizens

By Enterprise staff | From Page: A5

Water rate assistance bill advances

By Enterprise staff | From Page: A5

 
Program explores STEM careers for girls

By Enterprise staff | From Page: A5, 4 Comments

Embroiderers plan a hands-on project

By Enterprise staff | From Page: A5

 
MOMS Club plans open house

By Enterprise staff | From Page: A7

 
Cycle de Mayo benefits Center for Families

By Anne Ternus-Bellamy | From Page: A8

Author to read ‘The Cat Who Chose to Dream’

By Anne Ternus-Bellamy | From Page: A12

 
.

Forum

Things are turning sour

By Special to The Enterprise | From Page: B5

 
Ortiz is the right choice for Yolo

By Letters to the Editor | From Page: A6

Tom Meyer cartoon

By Debbie Davis | From Page: A6

 
The high cost of employment

By Letters to the Editor | From Page: A6, 1 Comment

High-five to Union Bank

By Letters to the Editor | From Page: A6

 
Broken sprinklers waste water

By Letters to the Editor | From Page: A6

Three more administrators?

By Letters to the Editor | From Page: A6

 
Neustadt has experience for the job

By Letters to the Editor | From Page: A6

Here’s a plan to save big on employee costs

By Special to The Enterprise | From Page: A6, 3 Comments

 
Davis is fair, thoughtful

By Letters to the Editor | From Page: A6

.

Sports

DHS boys shuffle the deck to beat Cards

By Thomas Oide | From Page: B1 | Gallery

 
DHS/Franklin II is a close loss for Devil softballers

By Enterprise staff | From Page: B1

DHS tracksters sweep another DVC meet

By Enterprise staff | From Page: B1 | Gallery

 
Another DVC blowout for DHS girls soccer

By Evan Ream | From Page: B1, 2 Comments | Gallery

Young reinvents his game to help Aggies improve on the diamond

By Bruce Gallaudet | From Page: B1 | Gallery

 
Baseball roundup: Giants slam Rockies in the 11th

By The Associated Press | From Page: B2

 
UCD roundup: Aggies lose a softball game at Pacific

By Enterprise staff | From Page: B3

Jahn jumps to Sacramento Republic FC

By Evan Ream | From Page: B8

 
.

Features

.

Arts

 
Emerson, Da Vinci to present ‘Once Upon a Mattress’

By Enterprise staff | From Page: A11

Winters Plein Air Festival begins Friday

By Enterprise staff | From Page: A11

 
 
Bach Soloists wrap up season on April 28

By Jeff Hudson | From Page: A11

Congressional art competition open to high school students

By Enterprise staff | From Page: A11

 
.

Business

.

Obituaries

.

Comics

Comics: Thursday, April 24, 2014

By Creator | From Page: B6